Le
Guin's The Left Hand of Darkness
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Contexts
for reading The Left Hand of Darkness (1969)
The Cold War
(1947-1989)
- Impossibility
of 'hot' (nuclear) war
- Nations
"frozen" in struggle
- Solution:
an envoy from the Ekumen
Anthopology
- saving
disappearing cultures
- Le Guin
is the daughter of anthopoligist Alfred Kroeber
- Ishi: "the
last wild indian in North America"
- radical
cultural relativism
- the envoy
Genly Ai as participant observer
Ecological
thinking
- Ecology
explores the "economy of nature," "the total relations
of the animal both to its inorganic and to its organic
environment; including above all, its friendly and inimical
relations with those animals and plants with which it
comes directly or indirectly in contact."(Ernst Haeckel,
1866)
- Ai studies
Gethen as a "whole system"
- the ethos
of ecology: valuing diversity, complexity
Feminism
- how does
one explain the observed differences between men and women?
- biology
or culture?
- A counter-myth:
4 stages of kemmer
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Critical
Questions:
- What
kind of s/f mirror does Gethen become for the earth bound
reader?
- How
does Le Guin develop a fictional vehicle
["in the peculiar, devious, and thought-experimental manner
proper to science fiction, " Preface] to take readers
radically beyond the confines of our understanding of
gender?
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The
Gethen difference
- Kemmer/
sommer
- Winter
on Gethen
- shifgrethor:
honor, prestige, face, place, "the untranslatable
and all important principle of social authority"
(14)
- Karhide's
monarchy versus the commensalities, bureacracies, farms
of Orgoreyn
- the absence
of organized war
- art of
foretelling
- legends:
Meshe at the Center of Time
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Plot
- Entangles
the success of Genly Ai's mission on Gethen with the relationship
he forms with Therem Harth Estraven
- Estraven's
manipulations
- After rescuing
Ai, Estraven's complaint
- the meaning
of the survival adventure
- moment
of wonder:
- "I'm
glad I have lived to see this"
- Ai's
aphorism: "It is good to have an end to journey
towards; but it is the journey that matters, in the
end." [chiasmus = "end: journey :: journey: end"]
- the
'joy' of cheating DEATH (for a while)
- Estraven's
heroism: cunning and tragic
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Questions
for reading:
How do Genly
Ai and Estraven touch each other across the bridge of difference?
Please read (or reread) pages 221-261 for next lecture.
Please consider these questions:
- What is
Le Guin's formula for resolving the radical differences
between cultures?
- Do you
agree with it?
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'Light is
the left hand of darkness
And darkness the right hand of light.
Two are one, life and death, lying
Together like lovers in kemmer,
Like hands joined together,
Like the end and the way.' (233-4)
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Yin
Yang Symbol:
" 'Do
you know that sign?' He looked at it a long time with a
strange look, but he said, 'No.'
'It's found on Earth...It is yin and yang. Light is the
left hand of darkness...how did it go? Light, dark.
Fear, courage. Cold, warmth. Female, male. It is yourself,
Therem. Both and one. A shadow on snow.'" (267)
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The
Bridge of Difference between Estraven and Genly Ai |
Each
is opaque to the other, but the plot brings them together
- Estraven's
leap of faith
- Genly Ai's
capture and torture
- They have
a shared project
- Result:
they are alone together
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Intimacy
and trust as a problem: Estraven's narrative
- The problem
of the body: Estraven in kemmer
- Genly Ai
"sublimation": he initiates an abstract
discussion of "isolation and loneliness"
- Estraven
recites a poem:
- Light
is the left hand of darkness
- and
darkness the right hand of light.
- two
are one, life and death, lying
- together
like lovers in kemmer,
- like
hands joined together,
- like
the end and the way.
- Genly Ai
and Estraven hear a different poem
- Estraven
asks: "Tell me, how does the other sex of your race
differ from yours?"
- Genly Ai
tries to account for gender difference on earth, then
gives up:
women are "more alien to me than you are"
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Sexual tension and the bridge of difference: Genly Ai's narrative
- Speculations
about sex between single-sexed and two-sexed humans
- Estraven
face looks as "soft" as a woman's
- Acceptance
after distrust
- Sexual
tension, friendship, love: the bridge of difference
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what
is Le Guin's formula from valuing, but also negotiating
between, the radical differences between cultures?
- imaginative
sympathy
- risking
intimacy
- neither
for "mankind" (too abstract) nor for one other person
(too singular and contingent), but both for mankind
and out of love for one other
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Le
Guin's problematic humanistic solution to radical cultural
difference
- Aestheticizing
the noble Indian: the example of "Tonto"
- The primacy
of the individual: it's so Western
- Does the
acceptance of radical difference presume the superiority
and power of those who accept? What if your culture is
weak and embattled?
- Is humanism
too species specific? Can't we be kind without being humane?
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"Tonto"
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The
Lone Ranger and Tonto
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The Lone Ranger
and Tonto
An
Indian Princess
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