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William
Beatty Warner
English, UC Santa Barbara
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CONTACT: |
Professor,
English Department
Director: UC Digital Cultures Project
U. of California, Santa Barbara
Santa Barbara, CA 93106-3170
fax: (805) 893-4622
email: warner@english.ucsb.edu
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BIO: |
Education:
B.A., Chinese Literature, University of Pennsylvania, 1968
MA. Ph.D, English Literature, Johns Hopkins University, 1977
William Warner,
Professor of English at the University of California, Santa Barbara,
works in the following fields: the Enlightenment; the novel; the
history of media culture from the eighteenth century to the present;
and free speech and censorship. His most recent book is Licensing
Entertainment: the Elevation of Novel Reading, 1684-1750
(The University of California Press, 1998). His current research
project is focused on Early American networks. It is part of a book
project entitled, American Networks: from the Continental Congress
to the Internet. |
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PUBLICATIONS: |
Modern
Media, Theory, and Digital Cultures: |
Books:
Cultural Institutions of the Novel, ed.
with Deirdre Lynch, Durham and London: Duke University Press, 1996,
488 pp.
Chance and the Text of Experience: Freud, Nietzsche, and Shakespeare's
Hamlet,
Ithaca: Cornell University Press, 1986, 308 pp.
Articles:
“Computable
Culture and the Closure of the Media Paradigm,” Post-Modern
Culture, 12:3, May, 2002.
http://muse.jhu.edu/journals/pmc/v012/12.3warner.html
"Spectacular Action: Rambo, Reaganism, and the Cultural Articulations
of the Hero," Cultural Studies, ed. Nelson, Grossberg,
and Triechler, Routledge, 1992, pp. 672-688.
"The Resistance to Popular Culture," American Literary History,
2:4, 1990, pp. 726-742.
"Treating Me Like an Object: Reading Catharine Anne MacKinnon,"
Feminism and Institutions, ed. Linda Kauffman, Blackwell's,
1989, pp. 90-126.
"Spectacular Seduction: The Case of Freud, Masson & Malcolm," Raritan,
6:3, 1987, pp. 122-136.
"A Nuclear Analysis of the Korean Airline Disaster," with Richard
Klein, Diacritics, 16:1, 1986, pp. 2-21.
"Dior's Designs," Word & Image, 2:3, 1985, pp. 351-379.
"'Love in Life': The Case of Nietzsche and Lou Salome," The Victorian
Newsletter, Spring, 1985, pp. 14-17.
"Reading Rape: Marxist-Feminist Figurations of the Literal," Diacritics,
14:4, 1983, pp. 12-32.
"The Play of Fictions and Succession of Styles in Ulysses," The
James Joyce Quarterly, Vol. 15, Fall, 1977, pp. 18-35.
Forthcoming:
“Institutionalizing E-Literature: Choices
for the Author and the Editor”. In State of the Arts,
ed. Scott Rettberg. |
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Eighteenth
Century Media Culture: |
Books:
Licensing
Entertainment: The Elevation of Novel Reading in Britain (1684-1750),
Berkeley: University of California Press, 1998,
325 pp.
Reading Clarissa: The Struggles of Interpretation, New Haven:
Yale University Press, 1979, 274 pp.
Articles:
"Recent
Studies in the Restoration and Eighteenth Century," Studies
in English Literature. 40.3 Summer 2000.
"Novel Readers Reading," Eighteenth Century Fiction
"The Transport of the Novel," (Introduction with Deirdre Lynch),
Cultural Institutions of the Novel, Durham and London: Duke
University Press, 1996, pp. 1-10.
"Formulating Fiction: Romancing the General Reader in Early Modern
Britain," Cultural Institutions of the Novel, Durham and
London: Duke University Press, 1996, pp. 279-305.
"Licensing Pleasure: Literary History and the Novel in Early Modern
Britain," The Columbia History of the British Novel, ed.
John Richetti, New York: Columbia University Press, 1994, pp. 1-22.
"The Elevation of the Novel in England: Hegemony and Literary History,"
ELH, 59, 1992, pp. 577-596.
"Social Power and the Novel: Foucault and Transparent Literary History,"
Eighteenth Century Fiction, 3:3, 1991, pp. 185-203.
"The Social Ethos of the Novel: McKeon's Not So Social Allegory
of the Novel's Origins," Criticism, 32:2, 1990, pp. 241-253.
"Taking Dialectic with a Grain of Salt: A Reply to McKeon," Diacritics,
20:1, 1990, pp. 104-107.
"Realist Literary History: McKeon's New Origins of the Novel," Diacritics,
19:1, 1989, pp. 62-81.
"Redeeming Interpretation," Eighteenth Century: Theory and Interpretation,
26:1, 1985, pp. 73-94.
"Proposal and Habitation: The Temporality and Authority of Interpretation
in and about a Scene of Richardson's Clarissa," Boundary
2, Vol.8, Winter, 1979, pp. 169-200 |
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RECENT
WORK:
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Modern
Media, Theory, and Digital Cultures: |
Talks:
After
9/11: Wiring Networks for Security and Liberty
The
Geopolitics of Napster; or, New Media North and South A Digital
Broadside
Media
Determinism and Media Freedom after the Digital Mutation: The Matrix
and Napster
Media technology ambivalence: Novel reading, TV watching, Web surfing |
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Eighteenth
Century Media Culture: |
Talks: |
“Enlightened
Anonymity”, Interfacing Knowledge, March, 2002
Staging
Readers Reading
"I shop therefore I am:" the new scholarship
on 18th century consumption ; or, LIFE IN A NETWORK OF HUMANS AND
NONHUMANS" |
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TEACHING: |
Modern
Media, Theory, and Digital Cultures: |
Media
Culture: Film, Radio, Television, and the Internet:
Undergraduate course, Winter, 2003, UC Santa Barbara
Free
Speech, Censorship and Copyright: from the Declaration of Independence
to Napster: Undergraduate course, Winter, 2003, UC Santa Barbara
Atlantic
Empire: from Colonization to Rebellion: Graduate Course, Fall,
2002, UC Santa Barbara
The American
Revolution: Undergraduate Course, Fall, 2002, UC Santa Barbara
Science
Fiction: Undergraduate Course, Spring, 2002, UC Santa Barbara
Theory
and Cultural History of 20th Century Media: Graduate English
Course, Winter 2002, UC Santa Barbara
Studies
in American Literature: Digitalizing Culture: Graduate English
Course, Spring 2001, UC Santa Barbara
Cyborg
Genealogies: Undergraduate English Seminar, Spring 2000, UC
Santa Barbara
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Eighteenth
Century Media Culture: |
Enlightenment
Communications: English and American Literature from 1650 to 1789:
Undergraduate Course, Winter, 2001
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Webmaster
Robert Hamm | Page Content
William Warner and Robert Hamm
Created 1/3/01
| Last Modified
3/12/03
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